Your Music Probably Sucks. And Somebody Has to Tell You That.

Your music sucks.

Somebody has to tell you that. And honestly, I wish somebody told me that earlier.

Not because people should hate on you. Not because you should stop making music. But because sometimes the biggest thing holding you back is your ego.

One of the hardest things in music is being honest with yourself. You can spend months making beats, loops, songs, posting snippets, getting compliments from friends, and still not realize that your music is not at the level you think it is.

And I had the exact same problem.

I remember always feeling like something was wrong with my product. And yes, music is a product. Your beats are a product. Your loops are a product. Your content is a product.

Deep inside, I knew my music wasn’t perfect yet.

And unfortunately, in today’s industry, “good” is usually not enough anymore.

The competition is way too high.

When you send music to major artists, labels, or established producers, you’re not competing against random people in their bedroom. You’re competing against producers who have been doing this for years.

Some of them already have placements with huge artists. Some of them work every single day on their craft. Some of them have teams, studios, and insane experience.

So if your music is not undeniable, it’s really hard to stand out.

What Does “Undeniable” Actually Mean?

By undeniable, I mean music that creates an instant reaction.

The artist should hear your beat and immediately say:

“Yo, pull this up again.”

Or:

“I need this beat right now.”

That’s the reaction you’re chasing.

The best moments happen when you play the very first beat and the artist instantly starts freestyling, recording, or asking for stems before you even play the next one.

That’s when you know the music connected emotionally.

Not because you forced it.
Not because you explained it.
Not because you said the mix is good.

But because the music spoke for itself.

That’s the level everybody should aim for.

Most Music Is Not There Yet

And the truth is, most music is not there yet.

A lot of people become delusional because nobody gives them honest feedback.

I’ve been to beat battles, producer camps, networking events, studio sessions, and listening parties where producers truly believed their music sounded insane, while everybody else in the room knew it still needed work.

And again, I’m not saying this to disrespect anybody.

I’m saying this because I was that person too at some point.

I used to ask my friends for feedback all the time. I wanted real opinions. I wanted somebody to tell me what was actually wrong with my beats, loops, melodies, drums, arrangement, or mix.

But most people never told the truth.

People try to be nice.

Especially in the United States, I noticed that honest feedback is rare. Even close friends sometimes avoid telling you the truth because they don’t want to hurt your feelings.

But honestly, fake support can destroy your growth faster than criticism.

That’s why sometimes you need brutally honest people around you. Sometimes European friends are actually great for this because they’ll just tell you directly:

“This one is not good enough.”

And even though it hurts your ego, that feedback can save you years of wasting time.

Because the moment you become honest with yourself is the moment you actually start improving.

Open Your Last 10 Beats

One thing that helped me a lot was learning how to analyze my own music objectively.

Open your last 10 beats right now.

Or your last 10 loops.

And really compare them.

Not emotionally.
Not as your “babies.”
Not as projects you spent hours making.

Analyze them like products.

Ask yourself:

• Does this actually sound industry level?
• Would a major artist seriously use this?
• Does this sound fresh?
• Does this create emotion?
• Is this mix clean enough?
• Is this arrangement professional?
• Does this sound undeniable?
• Or do I still need more practice?

And if the answer is yes, you still need practice, that’s completely okay.

That’s normal.

Music Is Like Going to the Gym

Music is literally like going to the gym.

Every beat is another rep.
Every mix is another workout.
Every loop is another training session.

Nobody becomes elite overnight.

Every skill can be developed through repetition, consistency, and time.

You just have to keep showing up every day.

• Make beats every day.
• Practice melodies every day.
• Mix every day.
• Study songs every day.
• Analyze arrangements every day.
• Learn sound selection every day.

That consistency eventually changes everything.

Be Honest About Your Level

Even me, I’m going to be completely honest with you.

I know exactly what level my music is at right now.

My music is not undeniable yet.

But I also know that maybe two or three beats out of every ten are actually really solid and could potentially become placements.

And that honesty helps me grow faster because I know exactly where I stand.

In music, 99% is still zero.

One amazing beat is worth more than a hundred average beats.

That’s why quality matters so much.

If Your Music Is Really Undeniable, Post More

At the same time, if your music actually is undeniable, then your next job becomes exposure and consistency.

You need to post more.
Share more.
Network more.
Send more loops.
Send more beats.
Upload more content.

Because truly undeniable music eventually finds its audience.

That’s literally how producers with low followers and low views still end up getting major placements.

Some random producer uploads a type beat to YouTube. Somebody hears it. The beat gets shared. An artist records on it. Suddenly the producer has a placement.

Why?

Because great music always creates movement.

It doesn’t matter if you have 500 followers or 500,000 followers. If the product is strong enough, people react to it.

That’s why some people with huge followings still struggle to get placements, while unknown producers quietly work and suddenly land records with major artists.

The music always comes first.

The Real Question

So the real question you should constantly ask yourself is:

“Is my music actually undeniable yet?”

And if the answer is no, then good.

Now you know exactly what you need to work on.

Leave your ego behind.
Stay honest with yourself.
Practice every single day.
Keep improving.
Keep posting.
Keep networking.

Because one day you’ll finally reach the point where your music speaks louder than your words ever could.

Want to Meet the Right People?

If you want help meeting the right people and building real relationships in the music industry, check out my networking course.

I recently added bonus interviews with Luca Pretolesi, Rob Guzman, and Jed Jones – people who worked with artists like Post Malone, Drake, Daft Punk, Skrillex, and many more.

They share real experiences, real networking strategies, and real lessons that can help you grow faster, meet more people, and better understand how the music industry actually works behind the scenes.

Because sometimes your music needs to get better.

And sometimes, your network needs to get bigger.

GET THE NETWORKING COURSE: https://shop.meshplugins.com/collections/courses